
After delving into portraiture and figuration in the early 2000s, my focus shifted to exploring the essence of trees within the landscape. As we observe the natural world, it’s evident that human influence has left its mark on nearly every aspect. This prompts the question: why are certain elements placed where they are? What motivations drove those who came before us to position that tree in that spot? Each tree, open field, or forest carries a distinct personality, a history, and a trajectory into the future. Painting a tree or a landscape is akin to creating a portrait, capturing the essence of an individual or a community. These natural features endure for decades, if not centuries, much like venerable elders recounting tales of times long gone. It’s this enduring allure that draws me back to trees and landscapes after two decades, seeking to uncover fresh insights and perspectives.